In a period of ten years, Shakespeare wrote a series of tragedies that established him, by universal consent, in the front rank of the world?s dramatists. Critics have praised either Hamlet or King Lear as the greatest of these; Ernst Honigmann, in the most significant edition of the play for a generation, asks: why not Othello? The third of the mature tragedies, it contains, a...(展开全部)

In a period of ten years, Shakespeare wrote a series of tragedies that established him, by universal consent, in the front rank of the world?s dramatists. Critics have praised either Hamlet or King Lear as the greatest of these; Ernst Honigmann, in the most significant edition of the play for a generation, asks: why not Othello? The third of the mature tragedies, it contains, a...(展开全部)

In Theatre , W. Somerset Maugham–the author of the classic novels Of Human Bondage and Up at the Villa –introduces us to Julia Lambert, a woman of breathtaking poise and talent whose looks have stood by her forty-six years. She is one of the greatest actresses England–so good, in fact, that perhaps she never stops acting. It seems that noting can ruffle her satin feathers...(展开全部)

In Theatre , W. Somerset Maugham–the author of the classic novels Of Human Bondage and Up at the Villa –introduces us to Julia Lambert, a woman of breathtaking poise and talent whose looks have stood by her forty-six years. She is one of the greatest actresses England–so good, in fact, that perhaps she never stops acting. It seems that noting can ruffle her satin feathers...(展开全部)

特蕾西·雪佛兰 （Tracy Chevalier） 美国畅销书作家，1962年生于在美国华盛顿特区，成年后移居英国。对于改写《奥赛罗》的初衷，雪佛兰坦承主要是基于个人的亲身经历：她儿时就读于黑人学生为主的小学，成年后长期生活在英国，却因为自己的美国口音而被当作“局外人”。 “我认为《奥赛罗》的主题是关于局外人的，也是关于某一群体如何对待与他们相异的个体的。而操场是一个隐喻，它就像一片封闭的领地，里面发生的所有事情都会被放大。” 截至目前，雪佛兰共计出版了九部长篇小说和两部短篇小说集。1997年，她凭借《纯蓝》（Virgin Blue）斩获史密斯年度新人奖，第二部小说《戴珍珠耳环的少女》（Girl with a Pearl Earring）畅销38国，全球销量超过500万册，并被改编为同名电影，由斯嘉丽·约翰逊和科林·费斯主演。

Newly adapted for the Anglophone reader, this is an excellent translation of Hans-Thies Lehmann's groundbreaking study of the new theatre forms that have developed since the late 1960s, which has become a key reference point in international discussions of contemporary theatre. In looking at the developments since the late 1960s, Lehmann considers them in relation to dramatic t...(展开全部)

Newly adapted for the Anglophone reader, this is an excellent translation of Hans-Thies Lehmann's groundbreaking study of the new theatre forms that have developed since the late 1960s, which has become a key reference point in international discussions of contemporary theatre. In looking at the developments since the late 1960s, Lehmann considers them in relation to dramatic t...(展开全部)

著有《圖書館戰爭》系列、《植物圖鑑》等作品的人氣作家有川浩， 在此為各位獻上青春熱血的溫馨舞台劇世界！ 「兩年間要賺回三百萬，不然就收團！」 旗子劇團面臨創團以來的最大危機！ 超級新星羽田千歲一入團，卻引發演員們的離團潮，同時，劇團還負債高達三百萬！ 愛哭鬼團長為了還債只好伸手向哥哥借錢，然而，討厭劇團的哥哥開出的條件竟是？ 擅長以溫暖細膩的筆法描繪人物的有川浩，此次將進軍舞台劇世界。 本作以舞台劇的世界為基礎，描述一群熱愛演戲但卻不善經營的劇團成員， 如何在背負三百萬債務下奮力成長的故事。明快詼諧的對話與高潮迭起的劇情， 讓人有如親臨現場欣賞舞台劇一般，現在，就請入座，欣賞有川浩與旗子劇團的精采之作吧！ ──有多少人在生命走到盡頭之前，曾經體驗過眾人一起驚喜、狂歡、哭泣？ 「守財奴有什麼不好！錢才是正義！」 「我也想前往她所在的世界──靠自己的才藝...(展开全部)

著有《圖書館戰爭》系列、《植物圖鑑》等作品的人氣作家有川浩， 在此為各位獻上青春熱血的溫馨舞台劇世界！ 「兩年間要賺回三百萬，不然就收團！」 旗子劇團面臨創團以來的最大危機！ 超級新星羽田千歲一入團，卻引發演員們的離團潮，同時，劇團還負債高達三百萬！ 愛哭鬼團長為了還債只好伸手向哥哥借錢，然而，討厭劇團的哥哥開出的條件竟是？ 擅長以溫暖細膩的筆法描繪人物的有川浩，此次將進軍舞台劇世界。 本作以舞台劇的世界為基礎，描述一群熱愛演戲但卻不善經營的劇團成員， 如何在背負三百萬債務下奮力成長的故事。明快詼諧的對話與高潮迭起的劇情， 讓人有如親臨現場欣賞舞台劇一般，現在，就請入座，欣賞有川浩與旗子劇團的精采之作吧！ ──有多少人在生命走到盡頭之前，曾經體驗過眾人一起驚喜、狂歡、哭泣？ 「守財奴有什麼不好！錢才是正義！」 「我也想前往她所在的世界──靠自己的才藝...(展开全部)

★《圖書館戰爭》、《阪急電車》作者，日本輕文學暢銷天后 有川 浩 最新系列作！ ★有川浩作品首度改編為舞台劇、發行DVD！ ★《劇團！Theatre》眾所期盼的第二彈，堂堂上市！ 「──我是你們的班導嗎？」 鐵血宰相．司這次要變身團員們的心理諮詢師？ 新危機不斷來襲，前程多舛的旗子劇團該如何是好──？ 擁有眾多戲迷的旗子劇團， 團員們不僅毫無金錢觀念，社會能力嚴重不足，連對人際關係也束手無策。 負債了三百萬圓，差點導致解散的劇團， 在鐵血宰相．春川司的嚴厲督促下，總算齊心協力，慢慢步上軌道。 但── 網路留言板上出現惡意攻擊？ 超級新星再度引發團員內鬨？ 愛哭鬼團長在練習前鬧失蹤？ 找不到公演劇場…… 而，戀愛的預感也悄悄萌生？ 風波不息的旗子劇團，看來又將面臨許多麻煩！ 眾所期望的熱血舞台劇世界第二彈！ 你，準備好了嗎？